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What I’m Writing Now August 6, 2014

Posted by Me in Miscellaneous.
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Today, Kittyinaz put my blog on her follow list (Thanks, Kittyinaz), which reminded me that I’ve not updated this blog in ages.  So here’s a short post to let readers know what I’ve been writing since my last post.

I’ve written and completed another Obadiah Hakeswill story in the Sharpe Series genre, entitled “Playing with Fire”.  I’m working on another story in the Sharpe genre now, tentatively entitled, “Isabella’s Dilemma”, with Lady Isabella Farthingdale as the main character.  It is a spinoff of my earlier story, “Let This Heart Be Still”.  I’m on the third chapter of that story, but it won’t be anywhere near as long as “Let This Heart Be Still”, as it is meant only to tie up loose threads for what happened with Isabella after the end of LTHBS.

My most recently published story was for Hogan’s Heroes: A Change of Heart.  This is a one-shot written for 2014 Hogan’s Heroes Short Story Speedwriting Challenge.  I’m working on another, yet untitled story for HH now, and have ideas for a few more stories in this genre.

I have a germ of an idea for the TV series, Breaking Bad, but if I write it, it will be a long way down the road.  I’ll want to re-watch the show again first so I can get a better feel for the series before I begin to write in this genre.

That’s about it for now.


Obadiah Hakeswill: A Character Study May 28, 2013

Posted by Me in Obadiah Hakeswill, Sharpe Series.
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Some time ago, I joined the Yahoo Sharpe group.  Unfortunately, it is no longer a very active group, with its heyday having been several years ago.  Recently, however, I went over to browse what had been posted about Obadiah Hakeswill and found him not getting a lot of love, which wasn’t surprising.   Nor did he get any understanding or compassion which, while also not too surprising, was rather disappointing.  The consensus about Obadiah there was, sadly, pretty much of a black and white matter, with nearly all of the posters taking him strictly at face value.  No one attempted to be objective, nor did they attempt to try to see things from his point of view.

The typical comments were that he was irredeemably eeeeeeeevil from birth, that he was stupid, a coward, a bully, dirty, lacked empathy and/or a protective instinct, was someone that no one could or should love, blah, blah, blah. Another point that was frequently made was that Hakeswill and Sharpe had similar backgrounds, but that Sharpe had ended up making the right choices in life, so why couldn’t Obadiah — but, of course, with little exploration as to why this was so.  One member made multiple posts harping on the idea that he was even a failure as a bad guy, simply because he would not face Richard Sharpe directly in a mano-a-mano fight, though he seemed to give Ducos a pass for the same perceived inability!

But where others see an irredeemably evil man, I see a damaged, unloved little boy underneath the bullying sergeant, who ended up doing what he thought was necessary to survive.  The speech he gave to Colonel McCandless before he shot him in Sharpe’s Triumph, where he calls McCandless on his religious hypocrisy and said that God loves him even if no one else does, broke my heart. I saw this as a key passage about who Obadiah was underneath the bastard persona he showed to the world.

“You’d like to strike me down, wouldn’t you, sir? ‘Cos you don’t like me, sir, do you? But God loves me, sir, he does. He looks after me.”  — Sharpe’s Triumph

Another important passage was in Sharpe’s Fortress where he naively assumed that he and Clare Wall were meant to be together.  His clumsy attempts to flirt with her brought a lump to my throat; he had the same dreams as any other man and was just as human as they were.  The fact that he clung desperately to his mother’s memory, as the only scrap of loving he had ever known in his life, showed that he wanted to love and be loved, even if he didn’t have a clue as to how to go about it.

“A proper little woman, that, sir.  A flower, that’s what she is, a flower!”

“No doubt you would like to pluck her?”

“It’s time I was married,” Hakeswill said. “A man should leave a son, sir, says so in the scriptures.”

“You’re the flower of womanhood,” he told her, then watched appreciatively as she scuttled back to the kitchen.  “Her and me, sir, are meant for each other. Says so in the scriptures.”  –Sharpe’s Fortress

Now, I’m not saying that Obadiah was simply a misunderstood good guy; he was most certainly not.  But there are some serious and compelling mitigating factors in his life that can and should allow for a certain amount of compassion or pity.  I grant that he was often cowardly and was indeed a bully, but I don’t leave it simply at that — I want to know why.  As far as the other stuff goes, I could have written several rebuttals on the board, but most of these comments are between ten and twelve years old, so I am bringing my rebuttals here to my own blog, even though the original commenters will likely never see them.

Be advised that my view of Obadiah is strongly influenced by Pete Postlethwaite and his portrayal of him and by how he appears in the three India novels.  I first encountered Obadiah on film, then in Sharpe’s Tiger and that is where my affinity for him began.  Bernard Cornwell stated in Sharpe’s Story that he “quite forgot” his original description of Obadiah in Sharpe’s Company and Sharpe’s Enemy after seeing Pete in the films.  He also stated that he wrote him in the three India books with Postlethwaite’s portrayal in mind and that Pete had “greatly improved the character”.

Indeed, if my first and only exposure to Obadiah had been in the books, Sharpe’s Company and Sharpe’s Enemy, my opinion of him would likely be more in step with those on the Yahoo board.  Company and Enemy were among the earliest of the Sharpe books written and I am of the opinion that Cornwell had not yet fully developed Obadiah; that he was too one-dimensional.  The way he is written there is too much over the top. Likewise, the physical description was all wrong.

At a time, when no one in the enlisted ranks was particularly clean by 21st century standards, I found it an unnecessary heavy-handed device to make him exceptionally more dirty and un-hygienic than his peers as a way to emphasize that Obadiah is a BAD!!!! guy, in case anyone might forget.  Please! An author doesn’t need to make an antagonist deficient in every aspect of his life so that readers will remember he’s the bad guy.

And though Cornwell revisits this theme in Fortress with the nasty feet passage, it’s rather obvious that it was done here mostly for comic relief.  Indeed, in Tiger, Cornwell had previously corrected this  by having Sharpe remember how it was a “pleasure” to watch Obadiah doing drill in his spiffy uniform.

…his uniform was as smart as though he stood guard at Windsor Castle.  He performed drill like a Prussian, each movement so crisp and clean that it was a pleasure to watch…  — Sharpe’s Tiger

As for me, in my stories, I simply ignore the “dirty Obadiah” meme and write him as having the same level of hygiene as is typical for those around him.

I usually prefer books to movies, but in this case, I much prefer the filmed Postlethwaite version of Obadiah in both Company and Enemy, as I find this version far more believable.  Pete had the marvelous ability to portray Obadiah as being both menacing and oddly vulnerable at the same time.  I wish Cornwell would go back and re-write him in these two books to match the improved Obadiah of the India novels and films.  And because Cornwell admitted that Obadiah needed improvement and then made changes in subsequent novels, I mostly ignore the earlier written version in my assessment of him as well.

Now, on to my comments in response to those from the board.

First, I must point out that Bernard Cornwell wrote the Sharpe novels mostly from Richard Sharpe’s point of view.  Nothing wrong with that; it is customary to write novels from the main protagonist’s perspective.  Thus, events and people are going to be seen as Sharpe sees them and reflect his opinions.  Everything will be filtered through that lens.  Because no two people see things in exactly the same way, one perspective is never the entire truth.  Objectivity is skewed, if not altogether absent in some cases, as is likely when it comes to Sharpe’s view of Hakeswill.  Not only that, no one person can have a complete picture about another person’s life unless they have been with that person 24/7 since birth.  Things will be missing that can often change or mitigate the view of different characters.  This is true in fiction and is also often true in non-fiction as well.

So, when board members commented on Obadiah having a son in Sharpe’s Peril, they said they couldn’t imagine any woman wanting him.  But just because Sharpe hated him, doesn’t necessarily mean that everybody did, without exception, at least not with the same intensity as Sharpe.  Most of us show different faces to the world depending on the company and the situation.  I imagine Obadiah was no different and had something about him that at least one woman found acceptable, if not appealing.  Because the son had his father’s name, it’s safe to assume that he was not the product of a rape.  As the old saying goes, there is someone for everyone.

Irredeemably evil?  I don’t believe that anyone is born “evil”; that is a religious judgment.  I believe that people are born with their basic temperaments that can be affected, for good or bad, by their environments, especially in their formative years. And there are those born with severe mental illnesses or deficiencies that don’t seem to currently be responsive to treatment.   I don’t believe Obadiah belongs in the second category, because I don’t think he’d have been able to function in the army for 30+ years undetected if he had been.  Rather, I think Obadiah’s mental issues are of the first variety, a basic temperament influenced in a negative direction by a neglectful and, perhaps, abusive childhood.  And, I firmly believe that being hanged at age twelve was enough to give anyone permanent mental issues, no matter how well they survived otherwise.

In this vein, one person remarked that Obadiah deserved to be hanged for raping the vicar’s daughter by holding a poisonous snake in her face to get her to comply.  But to be more precise, Sharpe’s Company records the story as Obadiah having used the snake to make her “undress for him”; that no rape was committed.   And though it may seem to be stretching  credulity, how do we know that he would have raped the girl?  He was twelve at the time, after all.   It’s also very hard to believe that Obadiah could have threatened her with a poisonous snake without getting bitten himself; the story just doesn’t ring true.

In any instance, Obadiah could not have been hanged for this incident, as no rape occurred.  According to the website, The Proceedings of the Old Bailey, the most he could have been charged with for the incident as described in Sharpe’s Company was either Indecent Assault or, at the most, Assault With Intent to Rape, both of which were misdemeanors.   The first was an umbrella term for all sorts of sexual offenses where actual intercourse did not happen and the second for when it could not be proven whether penetration had occurred or when an attempt had failed.

Thus, the vicar had to resort to the sheep-stealing fabrication which, oddly enough, was a hanging offense at the time.   In any instance I think it would have been better to have written the reason for his hanging as actually having stolen a lamb as this is far more believable for a boy of that age, who had no doubt spent his childhood like Richard Sharpe had, by stealing to survive.    As written, it’s melodramatic and too much over the top.

Why did he attack the girl in the first place?  We can’t know for sure, nor do we know the girl’s age.  Obadiah referred to her as the “prig of a vicar’s daughter”, which seems to indicate that she was at least his age, if not older, and that she was unkind to him (not that this excuses such behavior; I only mention it to provide something that he might have seen as a provocation).

Obadiah and his mother were certainly extremely poor and both probably engaged in stealing and other feral, anti-social behavior in order to survive in a world with few job opportunities for women and no social programs to help poor children.  So, Obadiah was probably seen as a nuisance in the village where he was raised, and it’s quite believable the vicar might well have seen this incident as an opportunity to get rid of this nuisance for good, which would explain why he concocted the sheep stealing lie instead of having him charged for what really happened.  Indeed, in Sharpe’s Company, it is made clear that the vicar despised both mother and son:

“...the vicar, if he could have thought of a way, would have gladly strung her alongside her foul son”.  — Sharpe’s Company

No one is all bad or all good — human beings are too complex for that and it’s not believable in real life or in fiction. Some may tilt strongly in one direction or the other, but every “saint” has sinned and every sinner has done good at some point in their lives.

And this brings me to my next point, to answer the question of why Sharpe turned out “good” after having had a similar background to Obadiah’s and the assumption that it’s all a simple matter of making the right choices in life:

“He (Sharpe) responded to people like Colonel Mcandles(sic)
> (Tiger, Triumph) who tried to help him. In other words, he made a
> choice.” (Post from Yahoo Sharpe message board).

The key word, here, is the word similar.  While it is quite true they had similar childhoods, their childhoods were not identical. And as I’ve pointed out before, no two people react to similar events in the same way every time.  Both men grew up in poverty not knowing who their fathers were and both had to lie and steal just to survive, but this is pretty much where the similarities end.

One key difference in their childhoods is that Richard Sharpe never had to experience the trauma of surviving a botched hanging as a child.  Though there wasn’t a word for it then, I believe this experience gave Obadiah Post Traumatic Stress Disorder, and was the source of most of his mental issues as an adult, as well as his unfortunate twitch.

Another important difference is that Obadiah didn’t have someone like Maggie Joyce or Hector McCandless in his life, someone to look out for him or mentor him. Perhaps young Richard learned to protect others because Maggie protected him, while no one ever protected Obadiah or showed him any empathy.  Certainly not Colonel McCandless, who professed to be such a great Christian and who recognized that Obadiah had mental issues, yet called him a “thing” in Sharpe’s Tiger, and did not show him any compassion, Christian or otherwise:

“‘And there were some good Christian men among them, too.(murdered by Tippoo’s men)  Only that thing over there survived.’ He jerked his head toward Hakeswill’s cell.”  –Sharpe’s Tiger

Nor did Obadiah have the blessing of a handsome face and a charming personality, which would have made people more likely to want to help him as it did for Sharpe at key points in his life, which served to point him toward better choices in life.    It’s quite likely Obadiah didn’t make better choices because he didn’t know what those choices were, having never had them modeled for him growing up, nor was he often, if ever, given opportunities to make positive choices.

In essence, he grew up not showing mercy, because it was never shown to him.  His mother taught him how to survive by any means possible and to “do it to them before they do it to you.”  Unlike Sharpe, Obadiah remained in survival mode, never reaching a point where he felt safe to trust anyone.  And, for many years, this served him well enough, helping him to survive in the army as a boy of twelve and to make his way up the ladder to sergeant, which was usually the highest rank that someone from his background could ever hope to attain.

And Richard Sharpe didn’t always make the most ethical choices.  Sometimes, he behaved very much like Obadiah.  In Sharpe’s Fortress, he posed as a colonel in order to murder two unsuspecting privates without “facing them like a man”, like one member of the Yahoo board several times accused Obadiah of not doing.  In Sharpe’s Trafalgar, he ambushed and murdered a man mostly because he stood in the way of Sharpe bedding another man’s wife.  And let us not forget that in several of the books Sharpe more than matches Hakeswill when it comes to stealing.

If one includes the film version of Sharpe, he is also unfaithful to Teresa. And in Sharpe’s Peril, he irrationally attacked Barabbas  Hakeswill simply for having the wrong father and would have likely killed him had Harper not intervened.  But, many people would give Sharpe the benefit of the doubt for these actions, in a way they never would have for Hakeswill.  Obadiah, no doubt, was well aware of this double standard, which made him hate Sharpe all the more.

It’s not hard for me to imagine that Sharpe could have quite easily ended up very much like Obadiah, if not for a few fortunate happenstances in his life and meeting a few people who made a big difference in the direction his life took.  After all, he did commit murder twice before joining the army and before reaching adulthood.

And saying that Hakeswill was stupid?  Don’t make me laugh.  Obadiah was as cunning as a fox and, despite not having an education beyond knowing how to read and write, he managed to outsmart and outmaneuver officers who had been to the best of schools. Despite hating his guts, even Sharpe knew better than to underestimate Hakeswill’s intelligence:

“Hakeswill had worked himself into the army’s most profitable billet!  He was milking the cow, but making sure it was the clerk’s handwriting in the ledger. No flies on Obadiah.”  –Sharpe’s Fortress

He’d learned how to work the army system to his advantage — something that Sharpe always struggled with — and had made himself a pretty comfortable spot in the army for a man of his background.  And in the film version of Sharpe’s Enemy, at least, he managed to lead the deserter’s army with an adequate level of competence.  I admit that Cornwell makes him appear half-mad in Sharpe’s Enemy and Company, respectively,  but the India novels and in the films, he’s anything but stupid.  I believe, as did Patrick Harper,  that even the business of him talking to the picture in his hat in Company as if it was his mother was calculated more to intimidate rather than being true madness.

And the repeated assertion that Obadiah wasn’t even a good antagonist because he didn’t challenge Richard Sharpe to a duel or some other sort of fight face to face, implying that it was, by definition, cowardly?  For one thing, Bernard Cornwell wasn’t writing a Superman style superhero fantasy series; he was writing historical fiction with a flawed, anti-hero protagonist who had equally complex adversaries. There’s a very good reason why Obadiah Hakeswill is one of the best-known and well-remembered fictional antagonists; the man just leaps off the pages and lodges himself into the reader’s memory.  I wouldn’t be here writing pages about him if he wasn’t.

Put simply, Obadiah didn’t confront Richard Sharpe directly for a mano-a-mano fight because he wasn’t a stupid man.  He was shorter, slighter, and older than Sharpe, and quite possibly in questionable health.  He knew he’d be working at a disadvantage if he challenged Sharpe in this way.  Instead, like any intelligent person, Obadiah worked from his strengths, rather than his weaknesses.  Obadiah was in it to win and to survive, not to impress others — he wouldn’t have lasted 30 years in the army by trying to play the hero.

This isn’t to say that Obadiah was useless as a fighting soldier, however.  Even Sharpe acknowledged this in Sharpe’s Company, when he tells Obadiah his rules in the stable after rescuing Teresa:

“First, that you fight well and that you fight to win.  I know you can do that, Sergeant, I’ve watched you!”  –Sharpe’s Company

Nor does Obadiah always attack from behind.   In Triumph, he sought out and confronted McCandless directly and showed no fear (Cornwell’s phrase). First, he told McCandless bluntly the problem he had with him and, when the other man had drawn his claymore, shot him face to face, not in the back as the original commenter implied.

I can even understand why he killed Teresa — and again, face to face.  Having dealt with her before and no doubt well-aware of her reputation as La Ajuga, he didn’t underestimate her just because she was a woman.  This was a lesson Sharpe was given over and over with several women and never really quite learned.  And, besides, she’d drawn on him first.  What was he supposed to do, trust her and let himself be killed?  Hardly.   It was a shame that Teresa was killed, but it wasn’t as if he went looking for her to do it.  He was backed into a corner and did what he needed to do to survive.

In conclusion, I believe that if Obadiah had met someone to look out for him and to mentor him at crucial points in his life, as Sharpe did and, most importantly, had he not been hanged, things could have been very different for him, too.  Before the hanging, he was no doubt every bit as salvageable as Richard Sharpe, but after the hanging he was traumatized to the point of being emotionally crippled for life.  And, even then, I like to think that the right set of circumstances and people in his life might have helped him to at least partially overcome it, despite how remote that chance would have been.  Unfortunately, we will never know, except through the vehicle of fan fiction.

Obadiah Hakeswill

Obadiah Hakeswill (far right) in Sharpe’s Company

Hakeswill’s Enemy May 22, 2013

Posted by Me in Hakeswill's Enemy, Obadiah Hakeswill, Sharpe Series.
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Ever since becoming a fan of the Sharpe novels and films, I’ve wondered about how the enmity began between Sharpe and Hakeswill.  Starting with Sharpe’s Tiger, which is the first Sharpe novel I read, Bernard Cornwell makes it abundantly clear why Richard Sharpe hates Obadiah Hakeswill.

But Cornwell never explained how Obadiah came to have a personal hatred for Sharpe and why he singled him out for more intensive harassment than he gave to other men under his command.  Those who take his character at face value, might simply shrug their shoulders and say that Obadiah doesn’t need a reason; that he’s simply “mad”.

However, that’s too simple of an explanation for me.  Why Sharpe?  Obadiah is more cunning than “mad”, despite having some  issues from his bad childhood and from being hanged as a 12 year old — that would seriously mess up anyone.  I figured there had to be some reason for it  and that this reason likely went all the way back to Sharpe’s first years in the army, because the hatred seemed long-standing and well-developed by the time of Sharpe’s Tiger.

Considering that Bernard Cornwell has yet to write a novel about Sharpe’s first years in the army that includes when he first met Obadiah Hakeswill, I decided to write a story to explore this idea myself, which I’ve entitled Hakeswill’s Enemy.

As I began to write this story, I rejected the idea of Hakeswill immediately hating him on first sight — something had to have  happened between them to cause Obadiah to single him out.

But what?  Because most disputes in this world boil down to money, power, or sex, or a combination of the three, I considered these motivations first.

I rejected power right off the bat, as Sharpe was only a teenager when he first joined the army and would have been no threat to whatever influence Hakeswill might have built up by that time.

A dispute over money was a distinct possibility, considering that both Sharpe and Hakeswill were talented thieves, but I rejected that, too, as it wasn’t quite personal enough to explain Hakeswill’s single-minded hatred of Richard Sharpe.

That left sex.  Or, to be more specific, one woman in particular.  This fit both men perfectly, for various reasons.

For Sharpe, the novels firmly establish that he has a weakness for women.    He hadn’t always been a perfect gentlemen with them and had a reputation of being a love ’em and leave ’em kind of a guy.   And the film Sharpe couldn’t remain faithful even to Teresa, a woman he deeply loved.

Several times, Sharpe underestimated women, to his own detriment.  And as he hadn’t always behaved as a gentleman with women, he also did not play fair when other men shared an interest in the same woman.  Consider how he lost his friendship with Frederickson over Lucille and remember how Frederickson resented how it was always Sharpe who got the woman and couldn’t understand why Sharpe couldn’t leave a few for other men for once.   Just imagine how Obadiah would react in a similar situation!

For Obadiah, Cornwell repeatedly mentioned that no one had ever loved or cared for him, except for his mother, implying that some of the anti-social behavior this friendless and unloved man engaged in had its roots in this fundamental lack in his life.  Though coming from a similar background  as did Sharpe — though Sharpe never had to experience a botched hanging — Obadiah didn’t have the benefits of a handsome face and a charming personality to help him win the heart of a woman, let alone to make friends and mentors in the army who would help him to advance.  Just as Frederickson resented Sharpe’s facile ease with women, in my story Obadiah did so as well, though in a greatly intensified fashion because of his age and lack of maturity as well as the other issues I mentioned above.

When the story begins, Richard Sharpe is not quite sixteen and the events that trigger Obadiah’s hatred happen when Sharpe is eighteen.  Because Sharpe is not all that long removed from his upbringing, his behavior is less than gentlemanly.   But it is more thoughtless, immature behavior, than it is purposely malicious.

Obadiah is twenty-three when the story begins and twenty-five when the pivotal incident occurs.  Because he is so young, life has yet to completely shape him into the bastard he will become later in the books, though he’s well on his way to it during my story.  Yet, he still retains a touch of the innocence of youth,  in that he still hopes to find a woman to marry and raise a family with, like any other man.  His hopes have yet to be completely crushed.  Indeed, even in India years later, in Sharpe’s Fortress, Obadiah still naively thinks that the woman, “Brick”, will want to marry him.

So, from Obadiah’s point view in which I mostly write this story, the pivotal event is yet another loss for him and another kick in the teeth, which serves to contribute to the man he was later to become, as well as creating and cementing his hatred of Richard Sharpe.

Hakeswill’s Enemy is now available to read in its entirety on FanFiction Net.

Story’s End March 15, 2012

Posted by Me in Let This Heart be Still.
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All good things must come to an end, and so did “Let This Heart Be Still”.  I could have gone on, but the story had reached its natural conclusion and I didn’t want to beat it into the ground.

Below, I’d like to acknowledge those who inspired me and made this story possible.

First, I’d like to thank Bernard Cornwell for writing the Sharpe novels and for creating Obadiah in the first place. Next, I want to especially thank the late Pete Postlethwaite for bringing Obadiah to life, and who expanded Cornwell’s original creation and made him such a compelling character. Pete had the wonderful ability to play Obadiah as being both menacing and vulnerable at the same time.

I’d also like to thank the writers, directors, producers, and all others involved in the making of Sharpe’s Company and Sharpe’s Enemy. Re-watching these episodes several times during the writing process helped me to keep Obadiah in character, and I’m grateful for the bits of dialogue I borrowed from both films.

Next, I’d like to thank those people who run the following websites: The Sharpe Compendium, Sharpe Pointe, Brian’s Richard Sharpe Timeline, and Jane Austen’s World. I’m also grateful to Richard Holmes for his book, Redcoat, which was a treasure trove of facts about the British army during Obadiah’s era and others. These sources were all quite useful when I needed to research for continuity and for matters of historical accuracy.  Similarly, The Sharpe Companion by Mark Adkin was most useful in matters pertaining to the Sharpe books and films.

I’d like to also mention Steshette, whose YouTube video of Obadiah, using the Metallica song, Mama Said, was a major inspiration for me to write this story at all. A line from this song also provided me with the title for my story.

Last, but not least, I’d like to thank Susan and Esther for their continued support during the writing of this story. Their comments, suggestions, and brainstorming were of invaluable help to me, especially at points where I was stuck with writer’s block. I appreciate it more than either of you will ever know.

Fittingly, I ended this story on what would have been Pete Postlethwaite’s 66th birthday.


After allowing the finished story to sit for a bit over a month, I re-read it and found several typos and other things needing to be touched up.  It’s amazing how such things are invisible when doing the original edits and posting.  I intend to go over the chapters again, one by one, and make any necessary edits before moving on to write another story.

I have ideas for two other Obadiah stories, one of which I will begin as soon as I make improvements on this story.

Picture From Chapter 53 December 21, 2011

Posted by Me in Images, Let This Heart be Still, Obadiah Hakeswill.
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The harbor in Porto where Obadiah parted from Maria
It probably looked somewhat similar during Obadiah’s time as it does in this modern photo

More Pictures From “Let This Heart Be Still” December 7, 2011

Posted by Me in Images, Let This Heart be Still, Obadiah Hakeswill.
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Bottom, from left to right:
Kelly, Lady Farthingdale, Obadiah Hakeswill
Top, from left to right:
French deserter, Maria Sanchez

Obadiah Hakeswill and Pot au Feu

Obadiah Hakeswill, captured by the French

An Old Church and a New Home August 10, 2011

Posted by Me in Images, Let This Heart be Still.

Below, are pictures of the parish church in Maltby, where Obadiah lived as a child and where he took his revenge on the old vicar.  Also included will be photos of  the new home, Throckmorton Cottage, that Catherine Perkins now shares with the Hakeswill family.  The house is the same one from the movie, Sense and Sensibility.

Maltby parish church

Throckmorton Cottage

Another view of the cottage

Banner for “Let This Heart Be Still” August 1, 2011

Posted by Me in Images, Let This Heart be Still, Obadiah Hakeswill.
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Following is a banner made for “Let This Heart Be Still”.  Thanks to Esther for making it for me.


A New Home May 11, 2011

Posted by Me in Images, Let This Heart be Still.
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Following below are some photos of the Hakeswills’ new home.  Be advised that the photos show a home in need of repairs, so imagine it as it must have looked in the early 19th century.

This would have been the Hakeswills’ first view of their new  home

Imagine how this house must have looked in the early 19th century

Of course, there were no other houses nearby when the Hakeswills move in

Illustrations from “Let This Heart Be Still” April 20, 2011

Posted by Me in Images, Let This Heart be Still.
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Obadiah entering the stable

This is actually from Sharpe’s Company and though Obadiah is several years older in this photo than when my story begins, the photo is fuzzy enough that you can’t easily see the difference in age.

Anna Hakeswill

I’ve had a bit of trouble finding just the right Anna, and though this photo isn’t exactly what I had it mind, it’s the closest I’ve found so far.

Mary Stokes

I was browsing through a group of 18th century portraits and the moment I saw this one, I immediately “recognized” her as Mrs Stokes.  She looks exactly how I pictured her in my mind.

India, 1805

A map of India from around the time that Obadiah and Anna were there.   Seringapatam is in southern India, in the area labeled Mysore.